Exhibited at EMPAC, this workexplores the ambiguities of the toxic sublime across sensory registers, including microplastics in local water caputred in polarized microscopy footage.
Series of installation and photographic works done while in residence at Prairie Ronde, sited at the ruins of a historic industrial paper mill.
Perfume and installation based on interviews with scientists about chemical phenomena occuring as forests respond to increasing drought conditions.
Structured as an “AnArchive,” this work focuses on the collapse(s) of material categories in the Anthropocene and the boundaries between nature/human.
An experimental scent of petrichor (dirt after rain), preserved oyster and reishii mushrooms, and fungal decay.





