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Exhibited at EMPAC, this workexplores the ambiguities of the toxic sublime across sensory registers—from eating dirt to a search for invisible microplastics in local tap water.

Series of installation and photographic works done while in residence at Prairie Ronde, sited at the ruins of a historic industrial paper mill.
  

An algorithmic selector authors poetic fragments in an installation critiquing the oroborus of A.I., as tech companies turn on nuclear reactors to fuel power demands.