Exhibited at EMPAC, this workexplores the ambiguities of the toxic sublime across sensory registers—from eating dirt to a search for invisible microplastics in local tap water.
Series of installation and photographic works done while in residence at Prairie Ronde, sited at the ruins of a historic industrial paper mill.
An algorithmic selector authors poetic fragments in an installation critiquing the oroborus of A.I., as tech companies turn on nuclear reactors to fuel power demands.


