Exhibited at EMPAC, this workexplores the ambiguities of the toxic sublime across sensory registers, including microplastics in local water caputred in polarized microscopy footage.
Filed under: Installation, Olfactory, Late Industrialisms, Sensory, Video, Geophagy, Art-Science Collaboration, Plastics
An algorithmic selector authors poetic fragments in an installation tracing research into the oroborus of AI and nuclear power.
Structured as an “AnArchive,” this work focuses on the collapse(s) of material categories in the Anthropocene and the boundaries between nature/human.
A 360o panoramic film sited at gravel heaps and industrial ruins served as the backdrop to an immersive“sensorium” installation considering anthro-geology.
Short film combining re-enactments of first century polymath Hildegard of Bingen’s medicinal recipes with my father’s home movies of geologic sites and ruins he visited in the 1990s.
