Exhibited at EMPAC, this workexplores the ambiguities of the toxic sublime across sensory registers—from eating dirt to a search for invisible microplastics in local tap water.
Filed under: Installation, Olfactory, Late Industrialisms, Sensory, Video, Geophagy, Art-Science Collaboration, Plastics
An algorithmic selector authors poetic fragments in an installation critiquing the oroborus of A.I., as tech companies turn on nuclear reactors to fuel power demands.
Structured as an “AnArchive,” this work focuses on the collapse(s) of material categories in the Anthropocene and the boundaries between nature/human.
A 360o panoramic environment, filmed at industrial gravel landscapes, served as a backdrop to an immersive anthro-geology installation.
A short film which combines my father’s home movies of visits to geologic sites with re-enactments of Hildegard von Bingen’s medicinal recipes (a twelth century mystic) using stones.
