Exhibited at EMPAC, this workexplores the ambiguities of the toxic sublime across sensory registers, including microplastics in local water caputred in polarized microscopy footage.
Filed under: Installation, Olfactory, Late Industrialisms, Sensory, Video, Geophagy, Art-Science Collaboration, Plastics
Series of installation and photographic works done while in residence at Prairie Ronde, sited at the ruins of a historic industrial paper mill.
An algorithmic selector authors poetic fragments in an installation tracing research into the oroborus of AI and nuclear power.
Structured as an “AnArchive,” this work focuses on the collapse(s) of material categories in the Anthropocene and the boundaries between nature/human.
A speculative artifact in the form of a gabion, a metal cage filled with a heterogeneous mix of repurposed waste materials and a mini plot of geological agriculture.
