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Exhibited at EMPAC, this work  explores the ambiguities of the toxic sublime across sensory registers, including microplastics in local water caputred in polarized microscopy footage.

Installation, tasting, and series of works done while in residence at Prairie Ronde on the site of in-transition ruins of a historic industrial paper mill.

Perfume and sensory installation representing volatile organic chemical (VOC) phenomena releated to drought and rising average temperatures.

Structured as an “AnArchive,” this work focuses on the collapse(s) of material categories in the Anthropocene and the boundaries between nature/human.

A speculative artifact in the form of a gabion, a metal cage filled with a heterogeneous mix of repurposed waste materials and a mini plot of geological agriculture.