Exhibited at EMPAC, this workexplores the ambiguities of the toxic sublime across sensory registers, including microplastics in local water caputred in polarized microscopy footage.
Filed under: Installation, Olfactory, Late Industrialisms, Sensory, Video, Geophagy, Art-Science Collaboration, Plastics
Series of installation and photographic works done while in residence at Prairie Ronde, sited at the ruins of a historic industrial paper mill.
An algorithmic selector authors poetic fragments in an installation tracing research into the oroborus of AI and nuclear power.
Structured as an “AnArchive,” this work focuses on the collapse(s) of material categories in the Anthropocene and the boundaries between nature/human.
Currently on view at the Wellcome Collection, this piece represents threats to potable water infastructure.
This body of work documents ficto-critical rehersals for interactions with future landscapes. Comissioned by the Institute for the Future + funded by the World Bank Climate Investment Fund.
Photographs and performative recipes which speculate rituals of eating with(in) a world of rising seas and increased flooding.
Photographs and performative recipes based on realities of increased desertification and drought.
“Nostalgia may be seen as a longing for times and places that one has never experienced.” Published by Montez Press.
Photographs and digital prints. Based on research into geologic processes involving anthropogenic materials.
Short film combining re-enactments of first century polymath Hildegard of Bingen’s medicinal recipes with my father’s home movies of geologic sites and ruins he visited in the 1990s.
Futility is at the heart of ecological crisis. Consuming earth directly is an attempt to reconcile the irreconcible scales of late industrialisms.
Collaboration with sound artist Lisa Schonberg. Encompasses sensory workshops, field guide, and short film which make a gesture of relation towards mushrooms and fungal modes of co-authorship in creative works.
