Exhibited at EMPAC, this workexplores the ambiguities of the toxic sublime across sensory registers—from eating dirt to a search for invisible microplastics in local tap water.
Filed under: Installation, Olfactory, Late Industrialisms, Sensory, Video, Geophagy, Art-Science Collaboration, Plastics
Series of installation and photographic works done while in residence at Prairie Ronde, sited at the ruins of a historic industrial paper mill.
An algorithmic selector authors poetic fragments in an installation critiquing the oroborus of A.I., as tech companies turn on nuclear reactors to fuel power demands.
Structured as an “AnArchive,” this work focuses on the collapse(s) of material categories in the Anthropocene and the boundaries between nature/human.
Currently on view at the Wellcome Collection, this piece represents threats to potable water infastructure.
Ficto-critical rehersals for interactions with future landscapes. Comissioned by the Institute for the Future + funded by the World Bank Climate Investment Fund.
Photographs and performative recipes which speculate rituals of eating with(in) a world of rising seas and increased flooding.
Photographs and performative recipes based on realities of increased desertification and drought.
“Nostalgia may be seen as a longing for times and places that one has never experienced.” Published by Montez Press.
Photographs and digital prints. Based on research into geologic processes involving anthropogenic materials.
A short film which combines my father’s home movies of visits to geologic sites with re-enactments of Hildegard von Bingen’s medicinal recipes (a twelth century mystic) using stones.
Collaboration with sound artist Lisa Schonberg. Encompasses sensory workshops, field guide, and short film which make a gesture of relation towards mushrooms and fungal modes of co-authorship in creative works.
