An experimental perfume informed by the chemistry of drought-stressed plants and landscapes. For sale at the New Museum Store

Immersive sensory installation exhibited at EMPAC; Collaborative work with a citizen science project engages the ambiguities of the toxic sublime across sensory registers.

Series of installation and photographic works done while in residence at Prairie Ronde, sited at the ruins of a historic industrial paper mill.
  

A installation critiquing the oroborus of AI, as tech companies use LLMs to help re-annimate nuclear reactors to fuel power demands.

Structured as an “AnArchive,” this work focuses on the collapse(s) of material categories of nature/human in the Anthropocene.

Ficto-critical rehersals for interactions with future landscapes. Comissioned by the Institute for the Future + funded by the World Bank Climate Investment Fund.
 

Flooded

2017
Photographs and performative recipes which speculate rituals of eating with(in) a world of rising seas and increased flooding. 

Drought

2017
Photographs and performative recipes based on realities of increased desertification and drought.

“Nostalgia may be seen as a longing for times and places that one has never experienced.” Published by Montez Press.

Photographs and digital prints. Based on research into geologic processes involving anthropogenic materials.
 

Sensory workshops — including a short film and field guide — exploring fungal co-authorship and sensing in creative work, with sound artist Lisa Schonberg.

A short film collaging my father’s home movies of geologic sites with re-enactments of Hildegard von Bingen’s twelfth century medicinal recipes w. stones.