Exhibited at EMPAC, this workexplores the ambiguities of the toxic sublime across sensory registers—from eating dirt to a search for invisible microplastics in local tap water.
Filed under: Installation, Olfactory, Late Industrialisms, Sensory, Video, Geophagy, Art-Science Collaboration, Plastics
Series of installation and photographic works done while in residence at Prairie Ronde, sited at the ruins of a historic industrial paper mill.
An algorithmic selector authors poetic fragments in an installation critiquing the oroborus of A.I., as tech companies turn on nuclear reactors to fuel power demands.
Structured as an “AnArchive,” this work focuses on the collapse(s) of material categories in the Anthropocene and the boundaries between nature/human.
Currently on view at the Wellcome Collection, this piece represents threats to potable water infastructure.
